Avoiding construction errors.

They say an ounce of prevention is worth a pound of cure.  Today we find ourselves doling out that pound with our HTC machines and a lot of power and diamond tooling.

The builder following this little link on our website could have saved today and tomorrow's work for us.

http://www.element7concrete.com/builder_awareness.html

Behold the culprit:

This was one of three drinks we found on the framing when we started the project.  Who knows how many more were in the house and spilled on the floor so far?  I would guess about 5 or 6 based on the spots on the slab.  If you zoom in, you can see one in the room behind the can.

The point is unprocessed concrete is like a big hard sponge, and chemical staining is like that black light they use in scary evening "news" shows (Dateline, 20/20, etc.) that shows all the gnarly stuff on the bedding of a hotel room.  If the concrete is to be stained without a lot of grinding, stuff like spilled sodas is going to show up.  Now, if you root through the insights given on element7concrete.com, you'll read about how much we like leaving the cream of the concrete intact, but sometimes you gotta do what you gotta do.  So we are slogging it out in the Texas heat, grinding a floor that should've been protected a bit better.

Now to be fair, the builder on this project is a good one.  He and I have worked together many times before and I don't blame him entirely for the mistakes.  Concrete flooring is a great way to create value when building, but it's frankly a pain for the GC to have to protect the floor as much as the have to.  Most importantly, the communication has to be better.  The link given will soon have an easy to print sign in PDF format that can be hung around jobsites where stained concrete is specified.  Until then, please contact us for a copy of this so we can all build efficiently and keep moving forward.

How to fix our schools (?)

I really hope this is a bit of a snowball that grows with input from others.  There is a serious problem in our country, and it won't be solved by one person with a plan or by us ignoring it.  So for goodness sake, please consider this idea, and either promote it, rip it apart, or just tacitly pass it along.  If we don't discuss it, our education system will continue to deteriorate and our country will decline and ultimately crash.  We have nothing to lose by trying to fix this.  Who knows, maybe we can find legitimate hope and make something better for once.

OK.  So here is the first proposition.  From what I gather, the state pays some $10,000/year/student for education.  Merit-based-pay sounds good on paper, but it's problematic in reality.  What do you suppose would happen if we took the $60,000-$120,000/year that could be spent in a traditional school, and allowed parents to pay that to a certified "home schooler" (with the same or more rigorous standards teachers are held to now).  Of course there would be oversight, but don't we have administrators already?  Wouldn't that kind of income and freedom to really help kids grow attract great teachers (or maybe realistically keep the great ones from burning out and leaving)?  How well does the feedback system of the amazon.com, zappos.com, the app store, etc. work compared to the current ways we evaluate teachers ?  This might be great or it might be dumb.  Please share your thoughts and push the snowball.  At the risk of sounding dramatic, the stakes here are pretty high.  Your input, from a completely different plan, to a simple post on Facebook to attract attention to the issue is the only way we can fix this.  There is no knight to ride in and save us.  Let's get busy!

Correcting Construction Errors - Episode 4

Regretfully, I still don't have photo's back from the Rick Burleson Job alluded to in a previous episode, so here I will share a recent adventure at Double Horn Brewing
http://www.doublehornbrewing.com/
This whole project was correction of construction errors, as the building was originally a laundromat, had probably half a dozen cold joints, plumbing trenches, and holes and was a generally haggard 50-some-year old slab.  It was the Keith Richards of concrete floors.  The worst part was a combination of slabs in the floor with about a 2" ridge.  More on that later: let's start at the front door.

Months after the interior floor was finished, I got a call from the builder about an issue with the front door.  Apparently, the doors couldn't open right, and the ridges between the three slabs in 5 feet ahead of the front door (just past where we finished our work) was flagged by the inspector for not being wheelchair accessible.  Now, grinding an inch of concrete off is no small task.  It usually doesn't look too great, either.  So to deal with all of that, I cut a leafy, barley-inspired (It's a brewery after all, and the idea struck me about three beers into a night of celebrating April 2011 as the best month in our company's history).  I acid stained it green, then installed a thin, stamped overlay to mitigate the ridges and half covered the leaves with the brown polymer-modified mortar and distressed it back for a good gradient of colors.  Really representational art generally looks cartoon-ish to me on a floor, so I try to keep it a little abstract and variegated.  I sealed it with a solvent based acrylic sealer and took the photo above moments later.  It should mellow a bit over time.    

Details vs. Altitude

If you ask my team what 90% right is, they know to answer "wrong!".  In our work, the details are actually pretty big.  The problem this causes an entrepreneur is that there are potentially infinite details to consider.
Attention to detail in the technical work is easy to get in the habit of and set standards for.  After all, when you are done, it's there to look at.  Things get trickier when you start considering creating customer experience, establishing stewardships for you people, creating a brand, and manifesting a social change.  The magnifying glass that made you the the great studier-of/wrathful-god-of the anthill gives you a very distorted view of your dog.  The elephant is incomprehensible through it.
  
Altitude is clearly the answer.  Backing up, zooming out, getting the Google Earth view, that is clearly paramount to orientating ourselves to lead.  But we know broad strokes alone will never do.  Some areas clearly need to be cut in with the smallest brush and detailed.  Challenge is, we have about 17 waking hours today (tops), families that need us, bills to pay, and obligations to meet.  We can't possibly do it all.

The answer is simple and brutal.  The only thing to do is to blueprint the day and then stick to the plan.  This means there are many things we will have to say "no" to if we are to say "yes" to things that are truly more important.  The three options you have are:
1.)Take the time to make a list of all the things that could possibly be done, grouping them ala David Allen's GTD, and then have the discipline to stick to our commitments of working in uninterrupted blocks of time to knock it out.
2.) Lower your standard and quit caring
3.) Go insane.
Now, go. (not insane - choose #1 for goodness' sake)  

Faith in Education

I have read a lot of useless crap in my 20-some-odd years of literacy. I have also read a few things that have positively touched my soul.

Steven Pressfield wrote an amazing little book called "The War of Art" about how Resitence tries to keep us from bringing the best within us to the world. The incredible lessons of that book came in terribly handy this week as my faith in the mental and spiritual side of my work was tested.

Our year started off a bit slow and expensive, and we have been just flooded with great projects lately. Our internal systems of job expense tracking, material management, and project notes are really evolving now, but are nowhere near what they out to be for me to leave town amid 4 big projects. Nevertheless, spring break and the second annual Concrete Decor show came up, and Shelly and I had planned to attend for months. I knew I had to go. I have always known the real value creation in our work comes from our specialized knowledge and our network of fellow artisans, but knowing that and stepping away from business for a week when things are finally really cranking are two different things.

So we kept our faith and went. Did things run perfectly in my absence? Of course not. However my team did rally to make some raving fans, and nothing was really ruined. Most importantly, I was able to have amazing conversations with guys I have looked up to in my industry (Mike Miller, Tom Ralston, Rocky Geans, etc.) and meet some new people to really learn from (Dru Blair, Nathan Giffin, Thom Hunt, etc.). Back to the Pressfield reference, I found that that just before I found some real nuclear fuel in a conversation, I would be confronted with a fire to put out back home. When I pressed through Resistence's efforts to keep me from growing and contributing at the highest level, I would then be rewarded with a pearl of wisdom, or a real reason to run the good race. In the words of the good prophet Greg Graffin "I seek a thousand answers, I find but one or two/I maintain no discomfiture, my path again renewed!"

How to really get free.

The good prophet Henry Rollins once said "It feels pretty good to know without a doubt, that I am what I am without a doubt".  I bet it does.  This is a break from the "making consturction errors remarkable" series to explore the driving force behind our work and virtually all work.

All work is done for one of six reasons:  Habit, Hunger, Boredom, a need for Significance, Love, or Inspiration, and probably in that order or liklihood.  The first four of those will spur nearly anyone into action.  What is worth discussing is aligning Love and Inspiration with those so there is no friction within. 

The question one must ask themselves is what they would do, if knowing what they know now they had to start all over.  I really think human beings start off like the bulbs of flowers, all looking similiarly dark and crude, until they grow into the various flowers they were meant to be.  Though instead of water, air, sunlight, and nutrients from the soil, human beings need their basic physical and psycologocal needs met to have the confidence to be the weird flower they were meant to be.  I say "weird flower" because to your cohort of bulbs, any flower you grow to be will be "weird".  Continuing with the flower metaphor, the rocks and soil you will need to push through are habit and peer group. 

Habits are incredibly hard to change at first.  Doubtful?   Try fasting tomorrow if you have never done it.  What is inspiring is the knowledge that they get easier with time.  In fact, nearly every hard thing gets easier, and most easy things were once hard.  Persist.  You may do so for no reason than for the sake of persistence itself, or you may find your true calling and cling to that.  Either way, persist.

Peer group can be a tough thing to overcome, too.  Your friends want the best for you, so long as it doesn't threaten their self esteem.  If you already have big-thinking friends, than little you do will threaten them.  Most of us end up alienating a few if we grow though.  It hurts, but not as much as a regrettable life. 

Sooner or later though, it would be a good idea to find that true calling to pull you through.  It will probably be weird.  Mine was to make shiny pieces of concrete, and create jobs for others to do the same.  That's admittedly weird.  But lining up with the unique voice within you is one of the sweetest things I've known.  I can't recommend finding that highly enough.  One practical way to find that is to practice breathing deeply and sitting completely still for an hour at a time.  If you try it, and it's not really remarkable, please let me know.  I've never heard that before. 

Making Construction Errors Remarkable - episode 3 (really a prelude to 4)

I love good architecture and design for the same reasons that I like concrete flooring.  It's efficient, timeless, minimal, elegant and it tickles my sense of aesthetic.  What's fun about being at element7concrete is that we get referred to and referred by people that "get it".  Architect Rick Burleson is one of those guys.  We met through The Loftis Home built by Dauphine Homes, and from outset I knew by the hand-drawn renderings and use of repurposed materials this was going to be special.  What nobody knew was how the live oak tree would riddle the slab with leaf prints out of season or how the stamped concrete would be bombarded with hail a few hours after placement.  Nobody knew how these mishaps would become great serendipity, either.  We'll make that another story, though.

The picture below was from another project of his.  He had a cool design of wood inlaid in stained concrete, but with proportions opposite of what you would expect.  It was a remodel and the wood would finish out around 3/4", and according to the Minnick's builder and his decorative concrete guy, that just wasn't possible.  Not possible?!  Some things are harder to do out of concrete than others, but precious little is not possible.   Rick recommended meeting me to discuss it, and though it was a small project more than an hour away, I really like the design.  Finally, after a few more exhibitions of questionable competence, the owners asked me if I knew a builder I would recommend in their area.  Cody Schmidt from Sierra Builders took over and the project sailed to completion.  The photo below shows the small field of concrete installed to wood.  The larger field received a simple scoring design and the same green and dark walnut acid stain. 

Today I found myself on another project being built by Cody Schmidt and designed by Rick Burleson in the hills outside of Wimberly, TX.  Thankfully, the homeowners chose a clear paste wax after the floor had been wet sanded, chemically etched, and treated with an amazing penetrating stain blocker.  The honest highlighting of the material fits the home extremely well.  I love the way the house fits the hillside, is orientated to the sun and common winds, and draws you out into the strikingly rugged landscape.  I also love the way the sand in the concrete was occasionally exposed by the chemical etching and the nuances from the finishing happen to match the rock of the home better than and stain or pigment know to man.  I only wish I had the language to describe the rhythm of the spaces and the rightness of the proportions.  I know I am gushing a bit here, but the point is there is just nothing like good design.  It brings out the best in the workmen on site, and next week I will show how we used the badly "honeycombed" steps to make the best part of the floor.